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Self-Portraits:
Inside and Out
Return to Main Self-Portrait site.
"Recurrance"
"This house is a composite of many house parts. It is
slightly askew representing those moments in family life that
are not predictable nor comfortable. The people in the print
are my sister, my brother, and me as young children." Find
out more about this artist at: "Oceans"
"I
have been an artist all of my life. Yet it took me until my
late thirties and the birth of my son to find my preferred
medium of fiber art. The comfort and nurturing I receive from
the cloth supports me as I venture out; pushing what I know
and discovering what I don't...Moving beyond the pages of
my written journal, I am communicating through cloth. My current
path is strong and clear. I have found piece wihin myself." "Outside-In" "Whaky
60 in the Year of the Monkey: where is all this clarity coming
from? (the veil having been lifted)" "In
my fiber work I use fabric collage, raw-edge applique as well
as piecing a wide variety of cloth. My highest bliss is sitting
in my studio with an idea in my head, listening to beautiful
music on my radio, the sewing machine humming away, and scraps
of wonderful, colorful fabric all around me in the disarray
of creative passion!" Find
out more about this artist at: http://www.evahenneberry.com/ "00" "My
work is an emotional response to a complex and chaotic world:
often beautiful, sometimes harsh, and always changing. I am
fascinated by boundaries, whether they be physical, mental
or cultural. In their most basic sense, boundaries are containers
meant to create order. People construct boxes to contain objects,
and in the process, they create a new group of objects. Societies
construct belief systems to contain people, and these systems
become more important than the people themselves. The result
is a world crowded with conflicting definitions. By exploring
these conflicts, I hope to capture a universal basis for communication. In
my paintings on canvas and panel, I use acrylics, oils, enamel,
crayons, glue, soil and other natural and man-made objects
I find during my everyday travels. By using gesture lines,
polymorphous shapes and varying textures, I go beyond the
boundaries of realism and encourage the viewer to participate
in the painting." Mira Hnatyshyn (Ha-nah-ti-shin) is
an artist living in San Antonio, Texas. Her painting "Voyage Home"
can be seen at http://zar.co.za/baartman.htm
(scroll down the page) and her painting "Lada" is
the featured artwork when you click "Postcard design
ideas" under "Getting Started" at Modern Postcard.
She also is featured in the Robot Gallery gift shop at http://www.cafepress.com/robotartgallery/217985. Send her email at miracall
<at> hotmail.com Jennifer
Loshaw was born in 1972 in Mount Clements, Michigan. Her Childhood
years were spent in Michigan, Belgium and finally ALabama.
On February 28, 1974, Jennifer was severely burned by hot
water. Being a burn survivor taught her that we, as a society,
create physical beauty believing it will identify us, however,
Jennifer strongly believes that our spirit makes up our identity;
"We cannot decorate this spirit; we cannot illuminate
it in any other way than through personality and activity." As
a young student, Jennifer fell in love with photography. As
a result of her passion for the medium, and its ability to
communicate, she went on to earn her Bachelor of Fine Arts
in Photography in 1999 from the University of Montevallo in
Montevallo, Alabama. Follwing her graduation, Jennifer moved
to Denver, Colorado where she immersed herself in the beauty
of the landscape. Beginning in 2001, she spent the winter
months in Savannah Georgia where she completed her Master
of Fine Arts in PHotography at Savvanah College of Art and
Design in April 2004. With her photography, Jennifer is working
to make changes in our social and physical environment. Her
aim os to increase understanding of the psychological healing
power of the arts and concepts of beauty in all things. Jennifer
is an activist working with a visual voice. This
image is part of a larger series/installation titled"In
My Skin." "Lady
in the Leaf"
"My journey into the field of photography/art was founded
on a lifelong interest and enjoyment of the subject. I began
a more serious pursuit of photography in the late 1990's including
attending a variety of classes at IUPUI Indianapolis, self-directed
study and countless hours of practice and experimentation.
By the end of 1999 I began exploring alternate photo processes,
photographic enhancements and digital manipulation. In 2003
I was awarded a grant from the Indiana Arts Commission to
learn to create and teach Polaroid Art. I have participated
in numerous competitions and displayed my work at a mixture
of exhibits, galleries, art shows, and fairs. Along with my
interest in photography and photographic art I enjoy exploring
digital art, creating collage pieces, painting, poetry and
jewelry making....This [piece for the Self-Portrait show]
is a polaroid transfer made by double exposing images prior
to the transfer process."
"My
Fourth Decade, Just an Rosemary
Kavanaugh O'Carroll started painting on paper bags from the
supermarket when she was four years old. Later she graduated
to using the floppy cardboard slipped out of her father's
stiff shirts from the cleaners. At the age of 12, she painted
a sort of self portrait on a sheet of sand paper because it
was the only thing she could find in the house, and won 1st
prize for this rendition in the 6th grade. This began a series
of awards and scholarships that ultimately landed her at Pratt
Institute. While a senior at Pratt she visited Ireland where
she met her husband, an Irish Tenor, at Kilkea Castle. She
lived and painted in Ireland for 8 years, had a one woman
show once a year at The Siamsa Tiere Art Gallery in Tralee,
County Kerry, and taught art to the children who would ride
their bicycles from their farms to her cottage by the sea.
When Rosemary and her family moved back to America, she went
back to school and received her degree in painting from Central
Connecticut State University and continued to have a one woman
show every year. Over the last few years, she has had exhibitions
at the Creole Gallery on Child Labor and on Afghanistan. She
has recently been accepted into two art galleries in New York
City. "My
approach to painting seems to be nomadic:
I wander back and forth incessantly from the realistic, closely
observed representations in still life, portrait, and landscape
to more loosely painted imaginary figures, landscapes, and
other mysterias, to strcitly abstract shapes and graphic dynamics
on the canvas. My fascination with color, shape and texture
is basic: I keep being in awe about how, as the painting emerges,
meaning emerges. It is all about LOOKING and staying open
and fully engaged as both creator and receptor." - January
13, 2005 Yvonne
Parma was originally an elementary school teacher in Switzerland.
She studied art at the Swiss Federal Institute of Technology
and the Kunstgewerbeschule Zurich. She completed training
in classical pantomime and in mime theater in Switzerland,
then worked in the theater as a performer, teacher, and director
in New York and Boston. In 1977, she earned her Masters Degree
in Expressive Arts Therapy at Lesley University, then joined
the faculty to teach in that program for nine years. Today,
she is still an international trainer for therapeutic theater,
a Massachusetts Licensed Mental Health Counselor, psychotherapist
and expressive arts therapist in private practice in Medford.
In the last ten years, she has returned to her original love
of painting in oil. "Goodbye
Stranger 3" "When
I came abroad for the first time, I was a stranger in my new
surroundings. Since then, I have continued to feel discomfort
and vulnerability almost everywhere - walking on a city street,
resting on a public bench, or looking in a shop window. No
matter where I am the cultural differences between Korea and
America are extreme. I am a stranger here. I don't even fully
understand who the strangers are, but I know I am one of them. The
artist lives and works in New York City. She has photographed
her selves since age 15 and does not plan on stopping anytime
soon. "Self-Portrait" "I've
been making art since I could hold crayons. I have been a
judo teacher, lawyer, professor, mother, wife, cat-lover.
I have been working in fiber for just over a year....This
portrait, based on the Book of Kells, shows me as a mother,
wife, mediator, and a saint."
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