Self-Portraits: Inside and Out


Artists
Kathleen Cammarata
Shane Crabtree
Linda Dunn
Pamela Flynn
Laura Gawlinski
Norma Greenwood
Eva Henneberry
Mira Hnatyshyn
Elizabeth Kellogg
Kathleen A. Kneeland
Un Jung Lee
Jennifer Loshaw
Lynne M. Medsker
Rosemary O'Carroll
Yvonne Parma
Hyundoo Park
Monique Perreault

Christina Pettersson
Nancy Roberts

Sharon Sawyer

Charlotte Trim


Return to Main Self-Portrait site.





   

Kathleen Cammarata

"Recurrance"
Monotype
22"x30"
$750

 

"This house is a composite of many house parts. It is slightly askew representing those moments in family life that are not predictable nor comfortable. The people in the print are my sister, my brother, and me as young children."

Kathleen Cammarata lives and works in Lowell, Massachusetts, USA. She teaches at the Worcester Art Museum. She teaches printmaking in her studio called X/O Studio and teaches drawing and painting at the Worcester Art Museum.

Find out more about this artist at:
http://kcammarata.com/

 

 

 

 

 

 

 



 

 

 

 

 

 


Shane Crabtree

  Find out more about the artist at:
http://www.mhl.org/art/crabtree.htm

"Expectant - Self-Portrait"
Acrylic on canvas
13"x11"
$350

 
 


"Bitterness - Self-Portrait"
Pencil on paper
7"x6"
$150

   

 

 

 

 

 

 

 

 

 

 


Linda Dunn

"Oceans"
Mixed media on cloth
14 5/8" x 10-3/8"
NFS

  "I look for abandoned women's work: old linens, laces, tea towels. These I over-dye, print on, and combine with fabric, photographs and words. In this piece, my sister and I stand at the center in our Easter finest. Those children are long gone. Oceans of time, oceans of love, oceans of memory that we travel through and on."

 

 

 

 

 

 

 

 

Pamela Flynn



"Bound to the Body"
Mixed media on paper
25"x20"
$300

"Empty Self/Starving for Identity"
Thread on paper
24"x19"

$200

 

These pieces "are part of a series 'Searching for Self.' The works in this series are an attempt to go beyond my physical reality. These works look at the essence of my self. 'Bound to the Body' is a self body tracing on paper - isolating body - giving power to body. 'Empty Self's' hanging thread and pierced paper evoke the visual of an empty cavity. Loss, sorrow, emptiness are remembered."

 

 

 

 

 

 

 

 

 

 

 

Laura Gawlinski



"A Is for Artist"
9"x12"
Thread and photo transfer on cloth
NFS

"I have been an artist all of my life. Yet it took me until my late thirties and the birth of my son to find my preferred medium of fiber art. The comfort and nurturing I receive from the cloth supports me as I venture out; pushing what I know and discovering what I don't...Moving beyond the pages of my written journal, I am communicating through cloth. My current path is strong and clear. I have found piece wihin myself."

See another of Gawlinski's pieces among the journal pages at:

http://www.quiltart.com/journals/journals4.html

 

 

 

 

 

 

 

 

 

Norma Greenwood

"Outside-In"
Oil on canvas
26"x38"
$2000
 

  "The self-portrait...inteprets the relationship between interior and exterior. The act of putting on makeup is unquestionably about self examination and designing an appearance for encountering the outside world. This self-portrait is about the consciously planned act of "making-up" while being photographed (by my daughter). I am looking at myself and the mirror-twice or three times, if you count the camera lens as a mirror. Of course, reinterpreting the photograph as a painting is entirely about self-examination."

Find out more about this artist at: http://www.newyorkartists.net/greenwood/norma.html


 

 

 

 

 

 

 

 

 

 

 


 

 

 

 

Eva Henneberry

   

"Whaky 60 in the Year of the Monkey: where is all this clarity coming from? (the veil having been lifted)"
Quilt - fabric collage
32"x30"
NFS

 

"In my fiber work I use fabric collage, raw-edge applique as well as piecing a wide variety of cloth. My highest bliss is sitting in my studio with an idea in my head, listening to beautiful music on my radio, the sewing machine humming away, and scraps of wonderful, colorful fabric all around me in the disarray of creative passion!"

Find out more about this artist at: http://www.evahenneberry.com/

 

 

 

 

 

 

 

 

 

 

 

 

 
Mira Hnatyshyn

   

"00"
Oil on panel
16"x20"
$900

 


"My work is an emotional response to a complex and chaotic world: often beautiful, sometimes harsh, and always changing. I am fascinated by boundaries, whether they be physical, mental or cultural. In their most basic sense, boundaries are containers meant to create order. People construct boxes to contain objects, and in the process, they create a new group of objects. Societies construct belief systems to contain people, and these systems become more important than the people themselves. The result is a world crowded with conflicting definitions. By exploring these conflicts, I hope to capture a universal basis for communication.

In my paintings on canvas and panel, I use acrylics, oils, enamel, crayons, glue, soil and other natural and man-made objects I find during my everyday travels. By using gesture lines, polymorphous shapes and varying textures, I go beyond the boundaries of realism and encourage the viewer to participate in the painting."

Mira Hnatyshyn (Ha-nah-ti-shin) is an artist living in San Antonio, Texas.

Her painting "Voyage Home" can be seen at http://zar.co.za/baartman.htm (scroll down the page) and her painting "Lada" is the featured artwork when you click "Postcard design ideas" under "Getting Started" at Modern Postcard. She also is featured in the Robot Gallery gift shop at http://www.cafepress.com/robotartgallery/217985.

Send her email at miracall <at> hotmail.com

 

 

 

 

 

 


Elizabeth Kellogg

  A Massachusetts native formally trained in photography and jewelry-making, Kellogg describes her work, an amalgamation of collage and sculpture using found objects and personal images and relics, as a hueristic journey into the psyche.


"Forgiveness"
Mixed media
5 1/4" x 7 1/2" x 1 1/2"
$250

 

 

 

 

 

 

 

 

 


Kathleen A. Kneeland

   



"Self-Portrait"
1989
Oil on canvas
16"x16"
NFS

  Find out more about this artist at: http://www.awaka-inc.com/BCAX/Studio_411.htm

 

 

 

 

 

 

 

 

 


Un Jung Lee

   
  Born in South Korea, Lee was interested about both Korean traditional painting technique and Western painting technique to make her own creation. In 2002, she moved to the U.S. in order to help toward that goal of combining techniques and ideas.

View another of her pieces among the winners of the Soho-Chelsea International Art Competition at: http://www.agora-gallery.com/siacWinners2004.asp (in the Soho group)

"Me and Myselves II"
Pencil on paper
66"x53"
$1000
   

 

 

 

 

 

 

 

 

 

 

     
Jennifer Loshaw

     



"Finding Self-Love"
Digital giclee print
Edition nr 3/25
11"x14" (without frame)
$250 (unframed)

 

 

   

Jennifer Loshaw was born in 1972 in Mount Clements, Michigan. Her Childhood years were spent in Michigan, Belgium and finally ALabama. On February 28, 1974, Jennifer was severely burned by hot water. Being a burn survivor taught her that we, as a society, create physical beauty believing it will identify us, however, Jennifer strongly believes that our spirit makes up our identity; "We cannot decorate this spirit; we cannot illuminate it in any other way than through personality and activity."

As a young student, Jennifer fell in love with photography. As a result of her passion for the medium, and its ability to communicate, she went on to earn her Bachelor of Fine Arts in Photography in 1999 from the University of Montevallo in Montevallo, Alabama. Follwing her graduation, Jennifer moved to Denver, Colorado where she immersed herself in the beauty of the landscape. Beginning in 2001, she spent the winter months in Savannah Georgia where she completed her Master of Fine Arts in PHotography at Savvanah College of Art and Design in April 2004. With her photography, Jennifer is working to make changes in our social and physical environment. Her aim os to increase understanding of the psychological healing power of the arts and concepts of beauty in all things. Jennifer is an activist working with a visual voice.

This image is part of a larger series/installation titled"In My Skin."

Find out more about this artist at: http://www.jenniferloshaw.com/

 

 

 

 

 

 

 

 

 

Lynne M. Medsker

"Lady in the Leaf"
Polaroid Transfer
11"x12"
$225

 

"My journey into the field of photography/art was founded on a lifelong interest and enjoyment of the subject. I began a more serious pursuit of photography in the late 1990's including attending a variety of classes at IUPUI Indianapolis, self-directed study and countless hours of practice and experimentation. By the end of 1999 I began exploring alternate photo processes, photographic enhancements and digital manipulation. In 2003 I was awarded a grant from the Indiana Arts Commission to learn to create and teach Polaroid Art. I have participated in numerous competitions and displayed my work at a mixture of exhibits, galleries, art shows, and fairs. Along with my interest in photography and photographic art I enjoy exploring digital art, creating collage pieces, painting, poetry and jewelry making....This [piece for the Self-Portrait show] is a polaroid transfer made by double exposing images prior to the transfer process."

Find out more about this artist at: http://www.nebsnow.com/lynnemedsker


 

 

 

 

 

 

 

 


Rosemary O'Carroll

"My Fourth Decade, Just an
Old Shoe, I Am the Paper
Bag"
Oil paint, decoupaged drawings, mosaic tile,
string and doll shoes on
canvas
40"x48"
$3000

 

Rosemary Kavanaugh O'Carroll started painting on paper bags from the supermarket when she was four years old. Later she graduated to using the floppy cardboard slipped out of her father's stiff shirts from the cleaners. At the age of 12, she painted a sort of self portrait on a sheet of sand paper because it was the only thing she could find in the house, and won 1st prize for this rendition in the 6th grade. This began a series of awards and scholarships that ultimately landed her at Pratt Institute. While a senior at Pratt she visited Ireland where she met her husband, an Irish Tenor, at Kilkea Castle. She lived and painted in Ireland for 8 years, had a one woman show once a year at The Siamsa Tiere Art Gallery in Tralee, County Kerry, and taught art to the children who would ride their bicycles from their farms to her cottage by the sea. When Rosemary and her family moved back to America, she went back to school and received her degree in painting from Central Connecticut State University and continued to have a one woman show every year. Over the last few years, she has had exhibitions at the Creole Gallery on Child Labor and on Afghanistan. She has recently been accepted into two art galleries in New York City.

This painting is the 4th in a series that began with 'My First Decade, Drawing on Paper Bags' which portayed "the humiliating experience I had as a child of having to go grocery shopping every night with my sister for 10 siblings and pushing the bags home in a shopping cart with socks on my hands instead of mittens. I allowed this because I stacked the paper bags and used them for drawing paper....'My Fourth Decade, Just an Old Shoe, I Am the Paper Bag' portrays me as I am now - as I see myself at this time in my life. I think about art all day long, look at people and nature all day and night and think about drawing them and painting them. I paint in my sleep....I see my hand in one corner in the dream, and can hear the pencil scratching the surface of the paper. And it still is a paper bag. But now I see my face with folds and lines and colors that were not there before, like the paper bags I drew on so long ago. I am the Paper Bag."


Find out more about this artist at: http://www.ocarrollpaintings.com

 

 

 

 

 

 

 

 

 

 

 

Yvonne Parma



"Self-Portrait"
Oil on canvas
16"x20"
NFS

 

 

"My approach to painting seems to be nomadic: I wander back and forth incessantly from the realistic, closely observed representations in still life, portrait, and landscape to more loosely painted imaginary figures, landscapes, and other mysterias, to strcitly abstract shapes and graphic dynamics on the canvas. My fascination with color, shape and texture is basic: I keep being in awe about how, as the painting emerges, meaning emerges. It is all about LOOKING and staying open and fully engaged as both creator and receptor." - January 13, 2005

Yvonne Parma was originally an elementary school teacher in Switzerland. She studied art at the Swiss Federal Institute of Technology and the Kunstgewerbeschule Zurich. She completed training in classical pantomime and in mime theater in Switzerland, then worked in the theater as a performer, teacher, and director in New York and Boston. In 1977, she earned her Masters Degree in Expressive Arts Therapy at Lesley University, then joined the faculty to teach in that program for nine years. Today, she is still an international trainer for therapeutic theater, a Massachusetts Licensed Mental Health Counselor, psychotherapist and expressive arts therapist in private practice in Medford. In the last ten years, she has returned to her original love of painting in oil.

Find out more about this artist at:
http://www.wmos.org/parma.php http://www.wmaastudios.org/artist.asp?artist=72

 

 

 

 

 

 

 

   
Hyundoo Park    

"Goodbye Stranger 3"
C-print
Edition nr 1/12
40"x50"
$1500

 

"When I came abroad for the first time, I was a stranger in my new surroundings. Since then, I have continued to feel discomfort and vulnerability almost everywhere - walking on a city street, resting on a public bench, or looking in a shop window. No matter where I am the cultural differences between Korea and America are extreme. I am a stranger here. I don't even fully understand who the strangers are, but I know I am one of them.

There are exact rules, codes of conduct in Korea that define proper behavior. There, I know how to perceive or recognize myself. There are fewer rules in AMerica. Thus, I feel extremely vulnerable here. This anxiety, paranoia, and delusionary [sic] thinking made me begin a series of self-portraits.

I integrated myself into Surroundings, or backgrounds of the self-portraits. WIthin these portraits, I can recognize a deeper level of my identity. My pictures reveal an incongruity between my natural character and this foreign, or alien environment.

I strongly want to assimilate myself, to be part of this city where I live. I,therefore, placed myself within the cityscape or landscape.

I've tried to find the relationship between me and my alien enviroment. In this attempt, I recognize myself as a stranger escaping from a stranger.

See more of Park's work at: http://www.artocracy.org/buy/?artist=29

 

 

 

 

 

 

 

Monique Perreault

 

The artist lives and works in New York City. She has photographed her selves since age 15 and does not plan on stopping anytime soon.

Find out more about this artist:
http://www.metrotimes.com/editorial/story.asp?id=6534
http://www.positivefocus.org/Contests/Contest8/contest8.html (see judges' picks)


"Self-Portrait As a Statue"
Gelatine-silver print
Edition nr 1/3
20"x24"
$750 (unframed)
 

 

 

 

 

 

 

 

Christina Pettersson

 

 

 


"Norway"
Graphite and ink on paper
27.5" x 39.5"
On Request

 

 

 

 


 

 

 

 

 

Nancy Roberts

"Self-Portrait"
silver print
11" x 14"
$175

   

 

 

 

 

 

 

 


Sharon Sawyer

                  

"I've been making art since I could hold crayons. I have been a judo teacher, lawyer, professor, mother, wife, cat-lover. I have been working in fiber for just over a year....This portrait, based on the Book of Kells, shows me as a mother, wife, mediator, and a saint."


"St. Rose of Sharon"
Mixed media on fiber (quilting, glass beads, clay, metallic paint, and other materials)
16"x23"
$500
   

 

 

 

 

 

 

 

 


Charlotte Trim



"Self-portrait I"
Oil on canvas
9" x 9"
$800

Originally from Britain, Charlotte Trim studied painting in Paris, Seville, and Winchester, UK. She currently lives in New England with her family and horse, and has exhibited work at the MFA in 2003 and in Lincoln, MA in 2004.
                     

 

 

 

 

 

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